Review:A Powerful Poetry Collection

Siamak Kiani    16.08.2025

The poetry collection of books 6 Left Unity and book 8 women’s power by Farah Notash, is a profound and emotionally charged exploration of pain, hunger, ignorance, silence, solidarity, resistance, empathy, and transformation. It extends global experiences and universal struggles, yet consistently carries a clear and urgent message: to give voice to the forgotten, to echo the cries of the hungry, and to honor the silent suffering of the oppressed.

The collection stands firmly in the tradition of protest writing—resonating through times of darkness and pain. With unmasked and burning language, the poems strip away the mask of tyranny and greed worn by those in power. They cross borders, connect human hearts, and carry the cry of freedom to the ears of a world too often indifferent.

From the rough hands of workers to the tear-filled eyes of grieving mothers, every line reflects a shared human experience of suffering. The language is never passive or decorative; it strikes like a wave of anger and awareness, aimed directly at injustice. In these verses, plundered lands, burnt lives, and crushed hopes are given rich and melancholy form.

These writings reflect the blood and soil of real struggle. They expose deception, poverty, and the slow disintegration of humanity under the weight of wild capitalism. This is not a poetic exercise in wordplay—it is a battle fought in the field of thought, expressed through a careful choice of words, a direct resistance to oppression and enforced silence.

With each line, the poems chop at the roots of lies and pull fragile sparks of truth from beneath layers of ash. And in the end, they plant a seed of hope deep within the earth—carrying the belief that, one day, that hope might grow into freedom.

Some of these works carry such raw emotional force that they brought tears to my eyes.

Throughout the book, the poet employs a social realist approach—grounded in real-world issues and the lived experiences of ordinary people. This is paired with skillful use of metaphor and figurative language, creating intense, unforgettable scenes. Each poem is sharply observed, revealing the poet’s keen attention to detail, strong visual sense, and deep emotional engagement. The result is a journey that moves the reader: at times heartbreaking, at others filled with anger or frustration at a world that too often chooses to look away.

The collection offers a powerful look at power, oppression, and human suffering. It lays bare the brutal mechanics of corrupt systems and authoritarian leaders who, surrounded by flatterers, maintain control through exploitation. The poet portrays the cycle of tyranny—where one oppressor replaces another, repeating the same cruel injustices.

In contrast, the poems treat the innocent—children, workers, and civilians caught in the crossfire of war, poverty, and violence—with tenderness and sorrow. The imagery is raw and unfiltered, revealing the devastating human cost behind political ambition and conflict. Moments of silence and darkness reflect helplessness and despair, while the recurring hope for peace and justice underscores the resilience of those who endure.

Together, these elements form a strong work of social criticism—condemning greed, corruption, and violence, while encouraging empathy for those left behind and awakening the spirit of struggle. The collection calls on readers to recognize patterns of oppression and the urgent need for change, while also honoring the dignity and humanity of those who continue to resist.

This message feels especially urgent today, as we witness ongoing suffering and violence in places like Gaza. The same indifference and silence that these poems criticize remain present, allowing injustice to go unchecked. By shedding light on these harsh realities, the collection challenges us not to look away—but to listen, to feel, and to act. It reminds us that behind every crisis are real people—lives, families, and hopes—that deserve attention, compassion, and justice.

tudehiha.org

Comments are closed.